Is the eventual metamorphosis of Mr. West to be a combination of Gore Vidal’s ‘Kalki’ , script writer Bud Schulberg and director Elia Kazan’s ‘A Face in the Crowd’, with a just a bit of Huxley’s ‘Brave New World’?
Mr. West’s fascination with Trump might originate with Mr. West’s own particular self-conception as a Hip-Hop Messiah, in the early stages of his coming to be?
For the details see Jon Caramanica revelatory essay at The New York Times :

At Coachella, the Gospel According to Kanye West

Myra Breckenridge