While the Genocide and enforced Famine continues in Gaza, and the attack on Rafah awaits, Bret Stephens and Sheryl Sandberg sound the alarm on ‘Anti-Semitism’.
There is a scene in “Screams Before Silence,” the harrowing documentary about the rape and mutilation of Israeli women on Oct. 7, that I can’t get out of my head. It’s an interview that the former Facebook chief operating officer There is a scene in “Screams Before Silence,” the harrowing documentary about the rape and mutilation of Israeli women on Oct. 7, that I can’t get out of my head. It’s an interview that the former Facebook chief operating officer Sheryl Sandberg, the documentary’s presenter, conducted with Ayelet Levy Sachar, the documentary’s presenter, conducted with Ayelet Levy Sachar,…
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Why? “People are so polarized that they want every fact to fit into a narrative, and if their narrative is resistance, then sexual violence doesn’t fit into that narrative,” Sandberg told me when I met her in New York last Thursday, hours before the documentary’s premiere at The Times Center. “You can believe that Gaza is happening because Israel has no choice; you can believe that Gaza is happening because Israel wants to kill babies. You can hold either one of those thoughts. And you should also be able to hold the thought that sexual violence is unacceptable, no matter what.”
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“I’ve spent my life, obviously, building businesses,” Sandberg told me toward the end of our interview. “And separately I’ve spent a lot of my life fighting for women. And I never thought I was going to work on antisemitism. I didn’t think it was a problem, and I was absolutely wrong. And I never thought that politics could make any group or feminist leader turn a blind eye to just such clear documentation of sexual violence.”
Rootless cosmopolitan,down at heels intellectual;would be writer.
'Polemic is a discourse of conflict, whose effect depends on a delicate balance between the requirements of truth and the enticements of anger, the duty to argue and the zest to inflame. Its rhetoric allows, even enforces, a certain figurative licence. Like epitaphs in Johnson’s adage, it is not under oath.'
https://www.lrb.co.uk/v15/n20/perry-anderson/diary
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